Tech
Jack Dorsey funds diVine, a Vine reboot that includes Vine’s video archive
As generative AI content starts to fill our social apps, a project to bring back Vine’s six-second looping videos is launching with Twitter co-founder Jack Dorsey’s backing. On Thursday, a new app called diVine will give access to more than 100,000 archived Vine videos, restored from an older backup that was created before Vine’s shutdown.
The app won’t just exist as a walk down memory lane; it will also allow users to create profiles and upload their own new Vine videos. However, unlike on traditional social media, where AI content is often haphazardly labeled, diVine will flag suspected generative AI content and prevent it from being posted.

DiVine’s creation was financed by Jack Dorsey’s nonprofit, “and Other Stuff,” formed in May 2025. The new effort is focused on funding experimental open source projects and other tools that have the potential to transform the social media landscape.
To build diVine, Evan Henshaw-Plath, an early Twitter employee and member of “and Other Stuff,” explored the Vine archive. After Twitter announced it was shutting down the short video app in 2016, its videos were backed up by a group called the Archive Team. This community archiving project is not affiliated with Archive.org, but is rather a collective that works together to save internet websites that are in danger of being lost.
Unfortunately, the group had saved Vine’s content as large, 40-50 GB binary files, which wouldn’t be accessible to someone who just wanted to watch some old Vine videos. The fact the archive existed prompted Evan Henshaw-Plath (who goes by the name Rabble) to see if it was possible to extract the old Vine content to serve as the basis for a new Vine-like mobile app.

“So basically, I’m like, can we do something that’s kind of nostalgic?” he told TechCrunch. “Can we do something that takes us back, that lets us see those old things, but also lets us see an era of social media where you could either have control of your algorithms, or you could choose who you follow, and it’s just your feed, and where you know that it’s a real person that recorded the video?”
Rabble spent a couple of months writing big data scripts and figuring out how the files worked, then reconstructed them along with the information on the old Vine users and the user engagement with the videos, like their views and even a subset of the original comments.
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“I wasn’t able to get all of them out, but I was able to get a lot out and basically reconstruct these Vines and these Vine users, and give each person a new user [profile] on this open network,” he said.
Rabble estimates the app contains a “good percentage” of the most popular Vine videos, but not a large number of the long tail. For instance, he says there were millions of K-pop-focused videos that were never even archived.

“We have about 150,000 to 200,000 of the videos from about 60,000 of the creators,” he noted, adding that, originally, Vine had a couple of million users and a few million creators by comparison.
Vine creators, who still own the copyright to their work, can send diVine a DMCA takedown request if they want their Vines removed, or they can verify they’re the account holder by demonstrating they’re still in possession of the social media accounts that were originally listed in their Vine bio. (This process isn’t automated, though, so there could be a delay if a large number of creators try to do this at once.)
Once they have their account back, they can also choose to post new videos or upload their old content that the restoration process missed.
To verify that new video uploads are human-made, Rabble is using technology from the human rights nonprofit the Guardian Project, which helps to verify that content was actually recorded on a smartphone, along with other checks.

Plus, because it’s built on Nostr, a decentralized protocol favored by Dorsey, and is open source, developers can set up and create their own apps and run their own hosts, relays, and media servers.
“Nostr – the underlying open source protocol being used by diVine – is empowering developers to create a new generation of apps without the need for VC-backing, toxic business models or huge teams of engineers,” Jack Dorsey said in a provided statement. “The reason I funded the non-profit, and Other Stuff, is to allow creative engineers like Rabble to show what’s possible in this new world, by using permissionless protocols which can’t be shut down based on the whim of a corporate owner.”
Twitter/X’s current owner, Elon Musk, has also promised to bring back Vine, having announced in August that the company discovered the old video archive. But so far, nothing has been publicly launched. The Dorsey-backed diVine project, meanwhile, believes that because the content is coming from an online archive and creators still own their copyrights, it’s fair use.

Rabble also believes there’s consumer demand for this type of non-AI, social experience, despite the popularity of generative AI content and widespread adoption of apps like OpenAI’s Sora and Meta AI.
“Companies see the AI engagement and they think that people want it,” explained Rabble. “They’re confusing, like — yes, people engage with it; yes, we’re using these things — but we also want agency over our lives and over our social experiences. So I think there’s a nostalgia for the early Web 2.0 era, for the blogging era, for the era that gave us podcasting, the era that you were building communities, instead of just gaming the algorithm,” he said.
DiVine is available on both iOS and Android at diVine.video.
Tech
Waymo starts autonomous testing in Philadelphia
Waymo is adding another four cities to its growing list of robotaxi rollouts. The company announced Wednesday it has begun testing its autonomous vehicles (with a safety monitor) in Philadelphia, and that it will start manual driving to collect data in Baltimore, St. Louis, and Pittsburgh.
Waymo did not offer a timeline for when it plans to launch commercial services in those locations, nor do we know whether the Alphabet-owned company will partner with other companies to operate robotaxis in each one. That has been the move in cities like Atlanta and Austin, for example, where Waymo has partnered with Uber to advance its robotaxi rollout.
But the new locations join a list of over 20 cities where the company is either offering rides, prepping a commercial launch, or testing. Waymo is also now offering rides on freeways in Los Angeles, Phoenix, and the San Francisco Bay Area. The company plans to be doing one million rides per week by the end of 2026.
Waymo has done all this while claiming to be operating at a level five times safer than humans, according to data the company recently released.
But the expansion has not come without its issues. The National Highway Traffic Safety Administration is investigating how the company’s vehicles operate near school buses, after a Waymo was filmed driving around a stopped bus in Atlanta in September.
This week, Austin news outlet KXAN published a report showing Waymo’s vehicles have driven past school buses that were in the process of unloading or loading children multiple times — including after Waymo claims to have shipped software updates to address the problem.
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Tech
Spotify Wrapped 2025 adds its first multiplayer feature with ‘Wrapped Party’
Spotify Wrapped is back. After last year’s widely criticized flop that included an AI podcast as its highlight, the streamer’s highly anticipated annual review feature has returned to its roots. This year, Spotify is doubling down on what it knows works best: deep dives into your streaming data, creative experiences, messages from favorite artists, and other social features.
The company claims that Wrapped 2025 is its biggest, as it’s introducing nearly a dozen new features in addition to its old standbys, like top songs and artists. Plus, it’s offering more visibility into users’ data than in years past. For the first time, Spotify Wrapped is adding a live multiplayer feature to compare your listening data with friends.
Wrapped Party, Wrapped’s first live interactive experience, allows you to invite up to nine friends to compare listening stats.

Also new this year, your Top Songs Playlist will include the play counts for each of the top songs, so you can actually see how much time you spent with your favorite tracks.
Other standout features this year include an interactive Top Song Quiz, a Listening Age feature, and Wrapped Clubs, which match you to one of six unique listening styles.
The company believes these additions will not only bring back the personalized, engaging experience that users have long expected from Wrapped, but will take it a step further by making it more interactive than before.
In the Top Song Quiz, for instance, you can try to guess which top song soundtracked your year before seeing the results.
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The new interactive Wrapped Party feature isn’t just about comparing the personal streaming data you’ve already received to your friends’ data, as that’s something people already do on social media. Instead, the feature presents unique data stories for your group, like who’s the “most obsessed fan,” the “early bird,” the most “picky listener,” or even something as nice as the “dinner table explainer,” meaning the person who listens to the most news podcasts.

Spotify says these awards update dynamically every time you join a Wrapped Party, so no two sessions are ever the same — even if you run through them again with the same group of friends.
The new Wrapped Clubs, meanwhile, will group you into one of half a dozen listening styles, like the “Soft Hearts Club,” the “Club Serotonin,” the “Full Charge Crew,” the “Cosmic Stereo Club,” and others. You’ll also receive a role in the club based on your listening data. You might be a club leader if your listening choices strongly matches the club’s values, a scout if you’re always seeking out new releases, or an archivist if you listen to music from past eras.

Another feature, Listening Age, compares your 2025 music listening to others in your age group. To calculate your age, the feature considers the release years of the tracks you listen to most. From there, it identifies the five-year span of music that you engaged with more than other listeners your age.

As in prior years, you’ll see your top songs, top artists, top genres, and, for the first time, top albums. If you engaged with audiobooks and podcasts, you’ll see metrics for those as well. Artists, writers, and podcasters will have their own version of Wrapped as before. And top fans will again receive video messages from their favorite artists, podcasters, and, now, authors.
You’ll also receive a playlist of your top songs of the year, as before.

What you won’t find in this year’s Wrapped is any feature that advertises it was made with AI.
In a press briefing on Tuesday, Spotify’s Senior Director of Global Marketing, Matt Luhks, admitted the company received a “lot of feedback” about its 2024 AI-focused Wrapped experience, saying it was a “mix of positive and ‘more constructive feedback,’” despite the feature driving more engagement than prior years.
“We take all of that in. We use that as information, insights, [and] inspiration for how we approached Wrapped this year,” he said in a press event ahead of today’s launch.
“What our users tell us about Wrapped means a lot to us, so it was really informative in how we approached Wrapped this year. And what we tried to build was the most creative, most innovative, most engaging Wrapped ever,” he added, setting a high bar for the 2025 edition of the now 11-year-old annual year-in-review feature.
“We’re the original and, we believe, still the best,” Luhks said.

Still, AI was a part of the Wrapped experience. Though the company claims the overall experience was not made with AI, it does leverage a LLM (large language model) to add a storytelling layer to Wrapped’s facts and figures, and natural language summaries in other parts of its experience, looking back on your data.
Spotify’s attempt to fix Wrapped after a notable stumble comes as the streamer faces increased competition from Apple, Amazon, YouTube, and others, which have all launched their own annual review features, inspired by Wrapped.
“Everyone seems to have their own version of Wrapped. Now, there’s a lot of reviews and replays and rewinds out there, but we believe that Wrapped still sets the bar for these year-end recaps,” Luhks said.
Along with the consumer experience, Spotify shared its top artists, songs, albums, podcasts, and audiobooks for the year, with top winners that included, respectively, Bad Bunny (top song and album), Joe Rogan (“The Joe Rogan Experience” podcast), and Rebeca Yarros (author of “Fourth Wing”).
Tech
Nothing looks to its community to raise $5M, wants to be ‘IPO-ready’ in 3 years
Hardware maker Nothing is letting its user base buy its stock as part of a new community investment round of $5 million. The new round, which opens on December 10, will enable consumers to buy the company’s shares at its Series C valuation of $1.3 billion.
The company said it has so far raised $8 million in total from over 8,000 people across two previous community investment rounds. It held its first community funding event in 2021, aiming to raise $1.5 million.
“This isn’t about raising capital, it’s about giving our community/fans a chance to invest while we’re private and join us on the journey,” a spokesperson for Nothing told TechCrunch.
Community investors have a rotating seat on the company’s board, but it is unclear what else they get for investing in the company through such rounds.
Nothing raised $200 million in its Series C back in September from investors including Tiger Global, GV, Highland Europe, EQT, Latitude, I2BF and Tapestry. The company has raised $450 million to date.
The community round comes as Nothing makes changes to its corporate structure as it tries to increase its share of a smartphone market dominated by giants like Samsung and Apple. The company is spinning off its budget CMF brand, and plans to explore AI-centric devices while it keeps building smartphones and audio products. And Nothing claims it crossed $1 billion in cumulative revenue this year, up 150% from 2024.
The startup is working to be “IPO-ready” in three years, CEO Carl Pei told TechCrunch in an email. “The timing will depend on market conditions and what makes sense for the business at that point in time,” he said.
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“What’s important is that we’re already operating with that discipline now. We’re building the systems, the governance, the financial discipline that a public company needs. It forces us to think longer-term and make smarter decisions that prioritise sustainable growth,” Pei added.
It’s not clear if Nothing aims to raise another round before an IPO. When asked about its fundraising plans, a Nothing spokesperson said the company is not thinking about raising capital immediately, but it wouldn’t be averse to those conversations.
Those interested in investing in the community round can use platforms like Wefunder and Crowdcube to participate.
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