World News
The Museum of West African Art (Mowaa) and the row over Nigeria’s Benin Bronzes
Todah OpeyemiBBC Africa, Benin City
AFP/Getty ImagesNigeria’s stunning new Museum of West African Art (Mowaa) has found itself in the crosshairs of local power politics on the week it was supposed to – but failed – to open its doors to the public for the first time.
The six-hectare (15-acre) campus sits in the heart of Benin City, capital of the southern state of Edo – and includes an archaeological dig and buildings designed by high-profile British-Ghanaian architect Sir David Adjaye, best known for the National Museum of African American History and Culture that opened in Washington in 2016.
It has been five years in the making – and is envisioned to celebrate both the past and the present of creativity in the region famous for the Benin Bronzes, artworks looted from the city’s royal palace by British soldiers in the 19th Century.
It is impressive – and ahead of the planned opening, Mowaa was buzzing with staff determined to prove it is a place that can rival established museums and galleries in the West.
Inside conservators carefully unwrapped artworks from protective packaging, inspecting each piece and taking meticulous records before positioning them on walls and plinths.
Technicians fine-tuned climate control systems. In the materials science laboratory, officers calibrated equipment meant to preserve centuries-old artefacts.
The project has been the brainchild of businessman Phillip Ihenacho – now Mowaa’s executive director.
“I want us to have a significant economic impact on communities around here,” he told the BBC, adding that he hoped to make Benin City “a cultural destination”.
Mowaa, a non-profit Nigerian institution, sees itself creating more than 30,000 direct and indirect jobs and contributing more than $80m (£60m) annually to the regional creative economy through partnerships and programming.
It has taken $25m (£19m) to get here – money raised from various donors, including the French and German governments, the British Museum and the Edo state government.
But now the local government has pulled the rug from under it – revoking the use of the land on which the museum was built.
An Edo state spokesperson told the BBC this was because in the original paperwork it had called itself Edo Museum of West African Art – and it had since dropped “Edo” from its name.
This announcement followed protests on Sunday, when people stormed the campus demanding it be called the Benin Royal Museum.
A rowdy group insulted foreign guests at the museum ahead of the opening – forcing them to be hurried away under police escort.
President Bola Tinubu has even stepped in to try and resolve the tensions, setting up a high-level committee to do some damage control.
But how has this become so politicised – and such a PR disaster?
Much of it comes down to internecine rivalries at a local state level, as it was Edo’s previous governor Godwin Obaseki – whose term in office ended last year – who was a major backer of the museum.
And it seems the administration of the new governor, a close ally of the local traditional ruler, known as the Oba, may want more of a stake in the project. The protesters on Sunday, for example, were demanding that the museum be placed under the control of Oba Ewuare II.
This brings into focus the contentious issue of the Benin Bronzes, one of Africa’s most celebrated cultural treasures.
Because even if the museum does eventually open, these bronzes will be conspicuously absent.
They are brass, ivory and wooden sculptures that once adorned the royal palace of the Benin Kingdom before British soldiers looted them in 1897 during a punitive expedition.
Today, thousands remain scattered across museums in Europe and North America — including the British Museum, Berlin’s Humboldt Forum and the Metropolitan Museum of Art.
Their return has become one of the most contested debates in the global art world. About 150 have now made their way home – and more are due to follow.
When plans for the museum in Benin City were first announced in 2019, the movers and shakers on Nigeria’s art scene hoped it would become their natural home – a state-of-the-art complex to show them off to the world.
But the waters were muddied two years ago after the federal government announced that the Oba would be the rightful owner and custodian of any returned bronzes – and the palace pushed for a museum under the royal family’s direct control, against the wishes of Obaseki, the former governor.
AFP/Getty ImagesThis left Mowaa in a delicate position: asserting a clear stance on restitution while remaining diplomatic on custodianship – and emphasising its broader vision, which led to it dropping “Edo” from its name.
“One of the frustrations I’ve always had is that from the beginning we have said we will be about the modern and contemporary,” said Mr Ihenacho.
“But because of the Western story about the return of the Benin Bronzes, everyone kept referring to us as the museum where they will go. The problem with that is we are not the owners, nor do we have any legal title to the bronzes.”
His goal is to build a haven for contemporary African creativity, including film, photography, music, dance and fashion – not just visual art.
“Yes, we want to focus on the historical, but the purpose is to inspire the contemporary,” he said.
“What we have become is a museum that is really about creating an ecosystem to support creatives in West Africa.”
From a young Nigerian artist who relocated from the US to work as a conservator, to a recent graduate undergoing his one-year mandatory national youth service programme, to a Ghanaian PhD candidate conducting research, Mowaa has already become a hub of regional collaboration.
Eweka Success, a 23-year-old sculpture graduate from the University of Benin who has had a tour of Mowaa, welcomed this opportunity.
He noted that while many residents of the city “don’t care” about the restitution conversation, the museum still offered something valuable.
“Many of us have never seen the originals, but there we can study their design, technique and history more closely,” he told the BBC.
Cultural specialist Oluwatoyin Sogbesan agrees that the conversation has grown increasingly elitist.
“The everyday person is concerned about making a living, going to work, and feeding their family. Many don’t even know about the bronzes,” she told the BBC.
For her, restitution must move beyond just the return of artefacts to also restore memory and language.
“We need to decolonise the term ‘Benin Bronzes’ itself,” she explained.
“Call them by their original Edo name – ‘Emwin Arre’ [meaning ‘Cultural Things’] – what the people who made them would have called them.”
This is something that chimes with the museum’s inaugural exhibition – Homecoming – should it open to the public.
AFP/Getty ImagesIt features works by acclaimed artists such as Yinka Shonibare, Toyin Ojih Odutola, Precious Okoyomon, and Tunji Adeniyi-Jones – many of whom live in the diaspora and have rarely exhibited in Nigeria.
Shonibare’s Monument to the Restitution of the Mind and Soul has pride of place – a pyramid-shaped unit featuring more than 150 clay replicas of the Benin Bronzes.
“Creating a monument like this is acknowledging the trauma caused by the looting of those spiritual artefacts,” he told the BBC. “It’s a deeply emotional engagement with the trauma of the invasion.”
He chose clay deliberately, as a metaphor for connection with the land of Benin itself.
“In the modern world, we seem to have become increasingly distanced from nature, whereas our ancestors had a deep connection and respect for it.”
The pyramid evokes Africa’s ancient wonders while the replicas speak to absence and memory.
“The work is conceptual – about the meaning of absence, the spiritual meaning of the bronzes,” Shonibare explained. “In a way, the work is cathartic. It is almost mourning.”

Also commanding attention is Ndidi Dike’s 2016 mixed-media work National Grid, which reflects on power, both electrical and political.
Nigerians experience power outages so frequently they have become an accepted part of daily life – a metaphor Dike uses to question the nation’s broader failures in governance and infrastructure.
It is something likely to resonate all too well for those working at Mowaa this week.
Though they may take heart from the words of the culture minister, who is chairing the presidential committee that wants to resolve the dispute.
“Cultural institutions are pillars of our national identity and must be protected through collaborative approaches that respect both traditional custodianship and modern institutional structures,” Hannatu Musawa said.
There are fears the row may damage ongoing efforts to reclaim Africa’s stolen art, with Western museums feeling justified about their concerns over the conservation of returned works.
But many working within the walls of Mowaa remain determined to show that their creativity can redefine what a modern African museum can be – with or without historic artefacts.
Getty Images/BBC
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World News
US reportedly pursuing third oil tanker linked to Venezuela
The US Coast Guard is in “active pursuit” of another vessel in international waters near Venezuela, an official has told the BBC’s US partner CBS News, as tensions in the region continue to escalate.
US authorities have already seized two oil tankers this month – one of them on Saturday.
Sunday’s pursuit related to a “sanctioned dark fleet vessel that is part of Venezuela’s illegal sanctions evasion”, a US official said. “It is flying a false flag and under a judicial seizure order.”
Washington has accused Venezuela of using oil money to fund drug-related crime, while Venezuela has described the tanker seizures as “theft and kidnapping”.
US President Donald Trump last week ordered a “blockade” of sanctioned oil tankers entering and leaving the country.
Venezuela – home to the world largest proven oil reserves – has accused the Trump administration of trying to steal its resources.
US authorities have not yet officially confirmed Sunday’s pursuit, and the exact location and name of the tanker involved is not yet known.
As of last week, more than 30 of the 80 ships in Venezuelan waters or approaching the country were under US sanctions, according to data compiled by TankerTrackers.com.
Saturday’s seizure saw a Panamanian-flagged tanker boarded by a specialised tactical team in international waters.
That ship is not on the US Treasury’s list of sanctioned vessels, but the US has said it was carrying “sanctioned PDVSA oil”. In the past five years the ship also sailed under the flags of Greece and Liberia, according to records seen by BBC Verify.
“These acts will not go unpunished,” the Venezuelan government said in response to Saturday’s incident. It added that it intended to file a complaint with the UN Security Council and “other multilateral agencies and the governments of the world”.
Venezuela is highly dependent on revenues from its oil exports to finance its government spending.
In recent weeks, the US has built up its military presence in the Caribbean Sea and has carried out deadly strikes on alleged Venezuelan drug-smuggling boats, killing around 100 people.
It has provided no public evidence that these vessels were carrying drugs, and the military has come under increasing scrutiny from Congress over the strikes.
The Trump administration has accused Venezuelan President Nicolás Maduro of leading a designated-terrorist organisation called Cartel de los Soles, which he denies.
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World News
In rebel-held Myanmar, civilians flee junta airstrikes and a forced election
Yogita LimayeSouth Asia and Afghanistan correspondent in Myanmar
BBCLate one night last month Iang Za Kim heard explosions in a neighbouring village, then fighter jets flying overhead. She ran out of her home to see smoke rising from a distance.
“We were terrified. We thought the junta’s planes would bomb us too. So we grabbed what we could – some food and clothes and ran into the jungles surrounding our village.”
Iang’s face quivers as she recounts the story of what happened on 26 November in K-Haimual, her village in Myanmar’s western Chin State, and then she breaks down.
She’s among thousands of civilians who’ve fled their homes in recent weeks after the Burmese military launched a fierce campaign of air strikes, and a ground offensive in rebel-held areas across the country, to recapture territory ahead of elections starting on 28 December.
Four other women sitting around her on straw mats also start crying. The trauma of what they’ve gone through to make it to safety is clearly visible.
While the air strikes were the immediate cause for Iang to flee, she also doesn’t want to be forced to participate in the election.
“If we are caught and refuse to vote, they will put us in jail and torture us. We’ve run away so that we don’t have to vote,” she says.

Some from Chin state have described the junta’s latest offensive as the fiercest it has launched in more than three years.
Many of the displaced have sought refuge in other parts of the state. Iang is among a group that crossed the border into India’s Mizoram state. Currently sheltered in a rundown badminton court in Vaphai village, the group’s few belongings they were able to carry are packed in plastic sacks.
Indian villagers have given them food and basic supplies.
Ral Uk Thang has had to flee his home at the age of 80, living in makeshift shelters in jungles for days, before finally making it to safety.
“We’re afraid of our own government. They are extremely cruel. Their military has come into our and other villages in the past, they’ve arrested people, tortured them, and burned down homes,” he says.
It isn’t easy to speak to Burmese civilians freely. Myanmar’s military government does not allow free access in the country for foreign journalists. It took over the country in a coup in February 2021, shortly after the last election, and has since been widely condemned for running a repressive regime that has indiscriminately targeted civilians as it looks to crush the armed uprising against it across Myanmar.
During its latest offensive, the junta last week targeted a hospital in Rakhine State, just south of Chin State. Rebel groups in Rakhine say at least 30 people were killed and more than 70 injured.
The Chin Human Rights Organisation says that since mid-September at least three schools and six churches in Chin State have been targeted by junta airstrikes, killing 12 people including six children.

The BBC has independently verified the bombing of a school in Vanha village on 13 October. Two students –Johan Phun Lian Cung, who was seven, and Zing Cer Mawi, 12 – were killed as they were attending lessons. The bombs ripped through their classrooms injuring more than a dozen other students.
Myanmar’s military government did not respond to the BBC’s questions about the allegations.
This is the second time Bawi Nei Lian and his young family – a wife and two young children – have been displaced. Back in 2021, soon after the coup, their home in Falam town was burnt down in an air strike. They rebuilt their lives in K-Haimual village. Now they’re homeless again.
“I can’t find the words to explain how painful and hard it is and what a difficult decision it was to make to leave. But we had to do it to stay alive,” he says.
“I want the world to know that what the military is claiming – that this election is free and fair – this is absolutely false. When the main political party is not being allowed to contest the election, how can there be genuine democracy?”

The National League for Democracy party, led by Aung San Suu Kyi, which won landslides in the two elections prior to the coup, will not be contesting as most of its senior leaders including Suu Kyi are in jail.
“We don’t want the election. Because the military does not know how to govern our country. They only work for the benefit of their high-ranking leaders. When Daw Aung San Suu Kyi’s party was in power, we experienced a bit of democracy. But now all we do is cry and shed tears,” says Ral Uk Thang.
Iang Za Kim believes the election will be rigged. “If we voted for a party not allied with the military, I believe they will steal our votes and claim we voted for them.”
The election will take place in phases, with a result expected around the end of January. Rebel groups have called it a sham.
At the base of the Chin National Front in Myanmar, the most prominent rebel group operating in the state, the group’s Vice Chairman Sui Khar says: “This election is only being held to prolong military dictatorship. It’s not about the people’s choice. And in Chin State, they hardly control much area, so how can they hold an election?”
He points out the areas where the most intense fighting is ongoing on a map and tells us nearly 50 rebel fighters have been injured in just the past month. There have been deaths too, but so far the groups have not released a number.
“There are columns of hundreds of soldiers trying to advance into the northern part of Chin state from four directions,” Sui Khar says. “The soldiers are being supported by air strikes, artillery fire and by drone units.”

Access to the base is extremely rare. Set amid thickly forested mountains, it is the heart of the resistance against the junta in Chin state.
Sui Khar takes us to the hospital at the base. We see a group of injured fighters who were brought in overnight and had to undergo hours of surgery. Some of them have had to undergo amputations.
Many of them were just schoolboys when the coup occurred in 2021. Just about adults now, they’ve let go of their dreams to fight on the frontline against the junta.
Abel, 18, is in too much pain to speak. He was with a group of fighters trying to take back territory the junta captured a week ago. They won the battle, but Abel lost his right leg and has serious injuries to his hands as well.
In a bed next to him is Si Si Maung, 19, who’s also had a leg amputated.
“As the enemy was retreating we ran forward and I stepped on a landmine. We were injured in the explosion. Then we were attacked from the air. The airstrikes make things very difficult for us,” he says. “I’ve lost a leg, but even if I’ve to give up my life I’m happy to make the sacrifice so that future generations have a better life.”
The impact of the ferocity of the latest offensive is visible in room after room at the hospital.
Yet, it’s the support and grit of tens of thousands of youngsters like Si Si Maung, who picked up arms to fight against the junta, that have helped the rebels make rapid advances against a much more powerful rival in the past four-and-a-half years.
Some like 80-year-old Ral Uk Thang hope that after the election, the junta will retreat, and he will be able to go back home.
“But I don’t think I will live to see democracy restored in Myanmar,” he says. “I hope my children and grandchildren can witness it some day.”
Additional reporting by Aamir Peerzada, Sanjay Ganguly and Aakriti Thapar
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World News
A memorial ends – but Bondi tragedy has left Australia reeling, again
Tiffanie TurnbullBondi Beach
Getty ImagesAs helicopters circled overhead, sirens descended on her suburb, and people ran screaming down her street on 14 December, Mary felt a grim sense of deja vu.
“That was when I knew there was something seriously wrong – again,” she says, her eyes brimming with tears.
Mary – who did not want to give her real name – was at the Westfield Bondi Junction shopping centre last April when six people were stabbed to death by a man in psychosis, a tragedy still fresh in the minds of many.
Findings from a coronial inquest into the incident were due to be delivered this week, but were delayed after two gunmen unleashed a hail of bullets on an event marking the start of the Jewish festival of Hanukkah eight days ago.
Declared a terror attack by police, 15 people were shot and killed, including a 10-year-old girl who still had face paint curling around her eyes.
The first paramedic to confront the bloody scenes at the Chanukah by the Sea event was also the first paramedic on the scene at the Westfield stabbings.
“You just wouldn’t even fathom that something like this would happen,” 31-year-old Mary, who is originally from the UK, tells the BBC. “I say constantly to my family at home how safe it is here.”
This was the overarching sentiment in the days following the shooting. This kind of thing, mass murder, just doesn’t happen in Australia.
But it can and it has – twice, in the same community, within 18 months.
A sea of flowers left by shocked and grieving people at Bondi is being packed up. A national day of reflection is over. On Sunday night, Jewish Australians lit candles for the last time this Hannukah.
But the two tragedies have left scores physically scarred and traumatised, and the nation’s sense of safety shattered.
‘Everyone knows someone affected’
EPABondi is Australia’s most famous beach – a globally recognised symbol of its way of life.
It’s also a quintessential slice of Australian community. There’s a bit of “everyone knows everyone” – and that means everyone knows someone affected by the 14 December tragedy, mayor Will Nemesh told the BBC.
“One of the first people I texted was [Rabbi] Eli Schlanger. And I said, ‘I hope you’re OK. Call me if you need anything’,” he said.
But the British-born father of five, also known as the “Bondi Rabbi”, was among the dead.
The first responders, police and paramedics would have been working on members of their own community. Others had the task of having to treat the shooters who had taken aim at their colleagues.
“[Westfield Bondi Junction] was horrendous, something we’re certainly not used to. And then this again was massive, catastrophic injuries,” Ryan Park, health minister for New South Wales, told the BBC.
“They’ve seen things that are like you would see in a war zone… You don’t get those images out of your head,” Park added.
Mayor Nemesh fears this will forever be a stain on Bondi, and Australia.
“If this can happen here at Bondi Beach, it really could happen anywhere… the impact has reverberated around Australia.”
EPA‘Warnings ignored’
No one is feeling this more than the Jewish community, for whom Bondi has become a sanctuary.
“I swam here every day for years on end, rain or shine. And this week… I couldn’t get in the water. It didn’t feel right. It felt sacrilegious in some way,” Zac Seidler, a local clinical psychologist, told the BBC.
Many of the victims of the attack moved here over many decades for safety from persecution, including 89-year-old Holocaust survivor Alex Kleytman. Instead, his life was bookended by violent acts of antisemitic hate.
Mr Seidler has spent the past two years trying to convince his grandparents, who are also Holocaust survivors, to hold on to their belief in the good of humanity.
“[My grandmother] kept saying, ‘These are the signs. I’ve seen this before’. And I just kept saying, ‘Not in Australia, not here. You’re safe’, just trying to soothe her.
“But now I kind of feel like the fool.”
No community is a monolith, but one thing many Jewish Australians believe is that warnings about a rise of antisemitism in the months preceding this attack were ignored.
The year started with a spate of vandalism and arson incidents on Jewish marks in the suburbs surrounding Bondi. It has ended with mass murder targeting their community.
There has been resistance in the face of fear – some leaders urging Jewish Australians to double down, be more publicly Jewish and display their religious symbols with pride.
One woman perusing the flowers outside the Bondi Pavilion on Sunday admits she is too scared to do that. It took her all week to even work up the courage to visit this site, which is just metres from where many of the victims died.
“I’ve never felt my Jewishness before. I’ve never experienced antisemitism in my whole life until now,” MaryAnne says. “And now, I don’t want to wear my Star of David.”
Community, anger and sadness
The shooting triggered a massive outpouring of support from around the nation.
When the news broke, many in the community rallied to help.
Lifeguards – volunteer and paid – put their lives on the line. Restaurants opened their doors and hid people in their store rooms and freezers, and locals ushered lost children into their apartments.
Even the New South Wales opposition leader Kellie Sloane – also the local state member – was at the scene, helping pack bullet wounds.
In the days after the shooting, thousands of ordinary Australians lined up – many for hours on end – to donate blood desperately needed to treat those injured.
Each day, a carpet of petals, handwritten notes, commemorative stones and candles grew out from the gates of the Bondi Pavilion.
Bee motifs – stickers, balloons, even pavement art – are all over the suburb, in remembrance of Matilda, the terror attack’s youngest victim.
Surfers and swimmers on Friday paddled out beyond Bondi’s iconic breaks to honour those who died.
A day later, surf livesavers and lifeguards stood shoulder to shoulder on the beach in solidarity with the Jewish community.
But amid the platitudes, sadness and shock is calcifying into anger and tension.
Last year’s Bondi Junction stabbings were devastating for the community – but a shared resolution united it.
Experts say the attacker, who had schizophrenia, was in psychosis at the time of the stabbings, and his family have previously said he was frustrated at being unable to find a girlfriend. The question of whether he targeted women will likely forever go unanswered. But clear failures in the mental health system have been identified.
Last month, families of the victims asked the coroner to refer the doctor who weaned him off medication with limited supervision to regulators for investigation, and they have also argued for a massive boost to mental health service funding.
But last Sunday’s events raise more uncomfortable feelings and questions.
There is palpable fury at the government, over a perceived – and admitted – failure to do more to stop antisemitism. Prime Minister Anthony Albanese has been booed during public appearances this week, and talking to people visiting the site of the attack in Bondi, it isn’t uncommon to hear them demand his resignation.
Many people the BBC spoke to pointed to his government’s decision to recognise Palestinian statehood, alongside countries including the UK and Canada, and regular protests in Australia by members of the pro-Palestinian movement, which though largely peaceful but have been peppered with antisemitic chants and placards.
The state of New South Wales – which has in recent years tightened protest rules – has already announced it will introduce more legislation cracking down on “hateful” chants and give police more powers to investigate demonstrators. The federal government has promised similar.
The blame apportioned to these protests does not sit right with many, even some sections of the Jewish community.
“We need to hold multiple truths,” Mr Seidler says. “We can be afraid, we can feel that there is deep antisemitic rhetoric going on in certain circles within Australia… while also understanding that there is a right of people in this country – especially Muslim Australians – to be concerned about what is taking place in Gaza.
“We need to get better at finding that line and calling out when that line has been crossed.”
Getty ImagesFor others, there is anger at what they feel is the politicisation of a tragedy.
“It’s a bloody photo op,” one woman tells me on Sunday, as a prominent Australian businesswoman arrives and begins posing with the floral tributes outside the Bondi Pavilion.
Some – including the local federal MP Allegra Spender – worry the attack is being used to fuel anti-immigration sentiment.
“We would not have had the man who saved so many Australians if we had cut off, for instance, Muslim immigration,” she said.
Mr Seidler says these arguments fail to recognise that antisemitic views – and other forms of bigotry – are formed here too.
“I heard someone say the other day that Australia thinks it’s on a holiday from history, that we’re somehow immune to this stuff, that it’s not bred here, it’s imported,” Mr Seidler says.
With the anger, there is also fear: for the Jewish community of other attacks, for the Muslim community of retaliation for an act of terror they have loudly condemned.
There are questions over how Australia’s security agency fumbled an alleged terrorist who at one point was on their watch list, prompting a review into federal police and intelligence agencies that was announced on Sunday.
There is frustration at NSW Police, who have for years been warned by the Muslim community of hate preachers poaching their young men.
There is animosity towards the media, driven by hurt among both Jewish and Arab Australians over a belief they and their communities have been misrepresented, and frustration at what some feel is incitement against them.
But there is also a queasiness at the treatment of traumatised victims throughout this week, some of whom were interviewed live on television while the blood of their friends still stained their hands.
Through it all, is an undercurrent of suspicion of institutions and each other.
There are varying opinions on how those rifts can heal – or even if they can. But there is a shared determination to try.
EPAOne UK expat who was at the beach at the time of the shooting says everyone he speaks to is adamant this will not change Bondi, or Australia.
“It’s seriously unique what you have as a nation… there’s a magic about it,” Henry Jamieson tells the BBC.
“I’m traumatised… and I’m going to have to deal with that for the rest of my life, I know I am… even people who weren’t there were traumatised.
“But I’m not gonna let it shake me and we will not let it shake this community.
“You can’t let them win,” he says of the alleged terrorists.
At an emotional memorial on Sunday night, seven days since the attack, the same sense of defiance was on show. It ended with the lighting of the menorah, something the crowds gathered for Hannukah last week never got to do.
The shamash, the centre candle, was lit by the father of Ahmed al Ahmed, in honour of his bravery in wrestling a gun off one of the attackers. The children of the two rabbis who were killed lit another. Others were lit by a representative of surf lifesavers and a Jewish community medic who rushed to the scene and began treating the injured before the shots had even stopped. The final candle was lit by Michael, the father of Matilda, who has been described a fountain of joy to all who knew her.
After the parade of diverse Australians had sparked flames on each arm of the menorah, Rabbi Yehoram Ulman of Bondi Chabad made a plea for more love and more unity.
“Returning to normal is not enough,” he said.
“Sydney can and must become a beacon of goodness. A city where people look out for one another, where kindness is louder than hate, where decency is stronger than fear, and we can make it happen,” he said, stopping for a moment as the crowd applauded.
“But only if we take the feelings we have right now and turn them into action, into continuous action.”
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