Tech
The marketing guru who helped turn Khosla Ventures into an AI powerhouse is moving on
Shernaz Daver is small in stature but big in influence. Over three decades in Silicon Valley, she’s mastered the art of getting anyone on the phone with a simple text: “Can you call me?” or “Let’s talk tomorrow.” And they do.
Now, as she prepares to leave Khosla Ventures (KV) after nearly five years as the firm’s first-ever CMO, Daver could be an indicator of where the tech world is headed. Her career has been a remarkably accurate barometer of the industry’s next big thing to date. She was at Inktomi during the search wars of the late ’90s (the dot.com highflier hit a $37 billion valuation before spiraling back to earth). She joined Netflix when people laughed at the idea of ordering DVDs online. She helped Walmart compete with Amazon on technology. She worked with Guardant Health to explain liquid biopsies before Theranos made blood testing infamous. She was even dressed down once by Steve Jobs over the marketing of a Motorola microprocessor (which could be its own short story).
KV’s founder Vinod Khosla portrays his work with Daver thus: “Shernaz had a strong impact at KV as she helped me build our KV brand and was a valuable partner to our founders. I’m grateful for her time here and know we’ll stay close.”
Asked about why she is leaving the firm, Daver was typically matter-of-fact. “I came to do a job, and the job was to build out the KV brand and to build out Vinod’s brand, and to help set up a marketing organization such that our companies and portfolios have somebody to go to. And I’ve done all of that.”
It’s certainly true that when founders think of top AI investors, two to three venture firms spring to mind, and one of them is KV. It’s quite a turnaround for a firm that, for a period, was better known for Khosla’s legal battle over beach access than for his investments.
The Daver effect
Daver says her success at KV came down to finding the firm’s essence and hammering it relentlessly. “At the end of the day, a VC firm doesn’t have a product,” she explains. “Unlike any company — pick one, Stripe, Rippling, OpenAI — you have a product. VCs don’t have a product. So at the end of the day, a VC firm is actually the people. They are the product itself.”
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KV had already identified itself as “bold, early, and impactful” before she arrived. But she says she took those three words and “plastered them everywhere.” Then she found the companies to substantiate each claim.
The breakthrough came with that middle word: early. “What is the definition of early?” she asks. “Either you create a category, or you’re the first check-in.” When OpenAI released ChatGPT in 2022, Daver asked Sam Altman if it was okay to talk about KV being the first VC investor. He said yes.
“If you can own that first investor narrative, it helps a lot,” she says, “because sometimes what happens in VC is it takes 12 years or 15 years for any kind of liquidity event, and then people forget. If you can say it right from the start,” people remember.
She repeated the formula, time and again. KV was the first investor in Square. It was the first investor in DoorDash. Behind the scenes, it took two and a half years of persistent effort for that message to stick, she says. “To me, that’s fast, just because the industry is moving really fast.” Now when Khosla appears onstage or elsewhere, he is almost uniformly described as the first investor in OpenAI.
Which brings us to perhaps Daver’s most important lesson for the people she works with: To get your point across, you have to repeat yourself far more than feels comfortable.
“You’re on mile 23, the rest of the world is on mile five,” she tells founders who complain they’re tired of telling the same story. “You have to repeat yourself all the time, and you have to say the same thing.”
It’s harder than it sounds, especially when dealing with people mired in day-to-day operations that invariably feel more critical. “Founders tend to be so driven and tend to move so fast [that] in their head, they’re already [on to the next thing]. But the rest of the world is [back] here,” she explains.
Daver also makes every company she works with do what she calls “the equals exercise.” She draws an equal sign, then tests their clarity of purpose. “If I say ‘search,’ you say ‘Google.’ If I say ‘shopping,’ you say ‘Amazon.’ If I say ‘toothpaste,’ you probably say ‘Crest’ or ‘Colgate.’” She tells her clients: “What is the thing that when I say it, you automatically think of your company’s name?”
She has seemingly succeeded with certain KV portfolio companies, like Commonwealth Fusion Systems (nuclear fusion) and Replit (vibe coding). “It’s just, whatever the word is that somebody says, you automatically think of them,” she explains. “Take streaming — the number one thing you think of is Netflix, right? Not Disney or Hulu.”
Why ‘going direct’ doesn’t work
Some startup advisers, at least on social media, have in recent years advocated for startups to bypass traditional media and “go direct” to customers. Daver thinks that’s backwards, especially for early-stage companies.
“You have a seed investment, nobody’s heard of you, and then you say, ‘go direct.’ Well, who’s going to even hear you? Because they don’t even know you exist.” She likens it to moving into a new neighborhood. “You’re not invited to the neighborhood barbecue because nobody knows you exist.” The way to exist, she argues, is to have somebody talk about you.
Daver doesn’t think the media is going anywhere, in any case — and she wouldn’t want it to. Her approach includes traditional media layered with video, podcasts, social media, and events. “I look at each of these tactics as infantry, as cavalry, and if you can manage to do all of [these things] in a good way, you can manage to become the gorilla,” she says.
Daver also has some strong ideas about the increasingly polarized and performative nature of social media, and how much founders and VCs should share publicly.
She sees X as “a vehicle that makes people be more loud and more controversial than they might be in person.” It’s like a bumper sticker, she says: a hot take you can fit in a small space.
She thinks inflammatory posting is driven mostly by the need to stay relevant. “If you don’t have something to sell and it’s just you, you have to be relevant.”
At KV, she controls the firm’s account, but has no control over what Khosla posts on his personal account. “There has to be some part that’s freedom of speech,” says Daver. “And at the end of the day, it’s his name on the door.”
Still, her policy is straightforward: “You want to share about your kids’ soccer game? PTA? Go ahead and do it. If you share anything that hurts the company or hurts the prospects for us getting partners, that’s not okay. As long as it’s not hate speech,you should do what you want.”
The path to Khosla
Daver’s career has been a masterclass in being at the right place just before it becomes the obvious place to be. Born at Stanford (her father was a PhD student there), she grew up in India and came back to Stanford on a Pell Grant. She went to Harvard to study interactive technologies, hoping to work for Sesame Street, bringing education to the masses.
That didn’t work out: She sent out 100 résumés and got 100 rejections. She got closest to a job at Electronic Arts (EA) under founding CEO Trip Hawkins, but “at the last minute, Hawkins nixed the rec.”
A woman there suggested Daver try PR instead. That led to marketing semiconductors, including that memorable meeting with Jobs, who was then running his computer company NeXT. Daver was the lowest-ranking person in a meeting about Motorola’s 68040 chip. Jobs showed up 45 minutes late and said: “You did a terrible job of marketing the 68040.”
She defended her team (“But we did all of this great stuff,” Daver recalls saying), “and he just went, ‘No, you have no idea what you did.’ And nobody defended me.” (She says she would have done anything to work with Jobs, despite his reputation as a taskmaster.)
From there, she headed to Sun Microsystems in Paris, where she worked with Scott McNealy and Eric Schmidt on the operating system Solaris and the programming language Java. Afterward, she rejoined Trip Hawkins at his second video game company, 3DO; then it was on to Inktomi, where she was the first and only CMO. “We were further ahead than Google” in search, she says. Soon after, the internet bubble burst and within a few years, Inktomi was sold off in parts.
Consulting and full-time roles would follow, including at Netflix during the DVD-by-mail era; Walmart, Khan Academy, Guardant Health, Udacity, 10x Genomics, GV, and Kitty Hawk.
Then came the phone call from Khosla. She didn’t recognize the number and took a week to listen to the voicemail. “I called him, and that started this process of him convincing me to come and work with him, and my telling him all the reasons it would be really, really bad for us to work together.”
After nine months, “contrary to most people telling me not to do it” (Khosla is known as demanding), “very similar to the rest of my life, I took it.”
The real deal
She hasn’t looked back. On the contrary, Daver describes one challenge she has to deal with across Silicon Valley (but not with Khosla): Everyone sounds the same. “Everybody is so scripted,” she says of corporate communications and CEOs. “They all sound the same. That’s why, for a lot of people, Sam [Altman] is very refreshing.”
She tells a story about the day last month that Khosla appeared at TechCrunch Disrupt, then went to another event. “The organizer said something like, ‘Oh my gosh, I heard what Vinod said onstage. You must have been shrinking.’ And I’m going, ‘No, that was great, what he said.’”
So where will Daver land next? She’s not saying, describing her future only as “different opportunities.” But given her track record — always arriving just before the wave crests — it’s worth watching. She was early to search, early to streaming, early to genomics, early to AI. She has a knack for seeing the future just before most others.
And she knows how to tell that story until the rest of us catch up.
Tech
Waymo starts autonomous testing in Philadelphia
Waymo is adding another four cities to its growing list of robotaxi rollouts. The company announced Wednesday it has begun testing its autonomous vehicles (with a safety monitor) in Philadelphia, and that it will start manual driving to collect data in Baltimore, St. Louis, and Pittsburgh.
Waymo did not offer a timeline for when it plans to launch commercial services in those locations, nor do we know whether the Alphabet-owned company will partner with other companies to operate robotaxis in each one. That has been the move in cities like Atlanta and Austin, for example, where Waymo has partnered with Uber to advance its robotaxi rollout.
But the new locations join a list of over 20 cities where the company is either offering rides, prepping a commercial launch, or testing. Waymo is also now offering rides on freeways in Los Angeles, Phoenix, and the San Francisco Bay Area. The company plans to be doing one million rides per week by the end of 2026.
Waymo has done all this while claiming to be operating at a level five times safer than humans, according to data the company recently released.
But the expansion has not come without its issues. The National Highway Traffic Safety Administration is investigating how the company’s vehicles operate near school buses, after a Waymo was filmed driving around a stopped bus in Atlanta in September.
This week, Austin news outlet KXAN published a report showing Waymo’s vehicles have driven past school buses that were in the process of unloading or loading children multiple times — including after Waymo claims to have shipped software updates to address the problem.
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Tech
Spotify Wrapped 2025 adds its first multiplayer feature with ‘Wrapped Party’
Spotify Wrapped is back. After last year’s widely criticized flop that included an AI podcast as its highlight, the streamer’s highly anticipated annual review feature has returned to its roots. This year, Spotify is doubling down on what it knows works best: deep dives into your streaming data, creative experiences, messages from favorite artists, and other social features.
The company claims that Wrapped 2025 is its biggest, as it’s introducing nearly a dozen new features in addition to its old standbys, like top songs and artists. Plus, it’s offering more visibility into users’ data than in years past. For the first time, Spotify Wrapped is adding a live multiplayer feature to compare your listening data with friends.
Wrapped Party, Wrapped’s first live interactive experience, allows you to invite up to nine friends to compare listening stats.

Also new this year, your Top Songs Playlist will include the play counts for each of the top songs, so you can actually see how much time you spent with your favorite tracks.
Other standout features this year include an interactive Top Song Quiz, a Listening Age feature, and Wrapped Clubs, which match you to one of six unique listening styles.
The company believes these additions will not only bring back the personalized, engaging experience that users have long expected from Wrapped, but will take it a step further by making it more interactive than before.
In the Top Song Quiz, for instance, you can try to guess which top song soundtracked your year before seeing the results.
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The new interactive Wrapped Party feature isn’t just about comparing the personal streaming data you’ve already received to your friends’ data, as that’s something people already do on social media. Instead, the feature presents unique data stories for your group, like who’s the “most obsessed fan,” the “early bird,” the most “picky listener,” or even something as nice as the “dinner table explainer,” meaning the person who listens to the most news podcasts.

Spotify says these awards update dynamically every time you join a Wrapped Party, so no two sessions are ever the same — even if you run through them again with the same group of friends.
The new Wrapped Clubs, meanwhile, will group you into one of half a dozen listening styles, like the “Soft Hearts Club,” the “Club Serotonin,” the “Full Charge Crew,” the “Cosmic Stereo Club,” and others. You’ll also receive a role in the club based on your listening data. You might be a club leader if your listening choices strongly matches the club’s values, a scout if you’re always seeking out new releases, or an archivist if you listen to music from past eras.

Another feature, Listening Age, compares your 2025 music listening to others in your age group. To calculate your age, the feature considers the release years of the tracks you listen to most. From there, it identifies the five-year span of music that you engaged with more than other listeners your age.

As in prior years, you’ll see your top songs, top artists, top genres, and, for the first time, top albums. If you engaged with audiobooks and podcasts, you’ll see metrics for those as well. Artists, writers, and podcasters will have their own version of Wrapped as before. And top fans will again receive video messages from their favorite artists, podcasters, and, now, authors.
You’ll also receive a playlist of your top songs of the year, as before.

What you won’t find in this year’s Wrapped is any feature that advertises it was made with AI.
In a press briefing on Tuesday, Spotify’s Senior Director of Global Marketing, Matt Luhks, admitted the company received a “lot of feedback” about its 2024 AI-focused Wrapped experience, saying it was a “mix of positive and ‘more constructive feedback,’” despite the feature driving more engagement than prior years.
“We take all of that in. We use that as information, insights, [and] inspiration for how we approached Wrapped this year,” he said in a press event ahead of today’s launch.
“What our users tell us about Wrapped means a lot to us, so it was really informative in how we approached Wrapped this year. And what we tried to build was the most creative, most innovative, most engaging Wrapped ever,” he added, setting a high bar for the 2025 edition of the now 11-year-old annual year-in-review feature.
“We’re the original and, we believe, still the best,” Luhks said.

Still, AI was a part of the Wrapped experience. Though the company claims the overall experience was not made with AI, it does leverage a LLM (large language model) to add a storytelling layer to Wrapped’s facts and figures, and natural language summaries in other parts of its experience, looking back on your data.
Spotify’s attempt to fix Wrapped after a notable stumble comes as the streamer faces increased competition from Apple, Amazon, YouTube, and others, which have all launched their own annual review features, inspired by Wrapped.
“Everyone seems to have their own version of Wrapped. Now, there’s a lot of reviews and replays and rewinds out there, but we believe that Wrapped still sets the bar for these year-end recaps,” Luhks said.
Along with the consumer experience, Spotify shared its top artists, songs, albums, podcasts, and audiobooks for the year, with top winners that included, respectively, Bad Bunny (top song and album), Joe Rogan (“The Joe Rogan Experience” podcast), and Rebeca Yarros (author of “Fourth Wing”).
Tech
Nothing looks to its community to raise $5M, wants to be ‘IPO-ready’ in 3 years
Hardware maker Nothing is letting its user base buy its stock as part of a new community investment round of $5 million. The new round, which opens on December 10, will enable consumers to buy the company’s shares at its Series C valuation of $1.3 billion.
The company said it has so far raised $8 million in total from over 8,000 people across two previous community investment rounds. It held its first community funding event in 2021, aiming to raise $1.5 million.
“This isn’t about raising capital, it’s about giving our community/fans a chance to invest while we’re private and join us on the journey,” a spokesperson for Nothing told TechCrunch.
Community investors have a rotating seat on the company’s board, but it is unclear what else they get for investing in the company through such rounds.
Nothing raised $200 million in its Series C back in September from investors including Tiger Global, GV, Highland Europe, EQT, Latitude, I2BF and Tapestry. The company has raised $450 million to date.
The community round comes as Nothing makes changes to its corporate structure as it tries to increase its share of a smartphone market dominated by giants like Samsung and Apple. The company is spinning off its budget CMF brand, and plans to explore AI-centric devices while it keeps building smartphones and audio products. And Nothing claims it crossed $1 billion in cumulative revenue this year, up 150% from 2024.
The startup is working to be “IPO-ready” in three years, CEO Carl Pei told TechCrunch in an email. “The timing will depend on market conditions and what makes sense for the business at that point in time,” he said.
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“What’s important is that we’re already operating with that discipline now. We’re building the systems, the governance, the financial discipline that a public company needs. It forces us to think longer-term and make smarter decisions that prioritise sustainable growth,” Pei added.
It’s not clear if Nothing aims to raise another round before an IPO. When asked about its fundraising plans, a Nothing spokesperson said the company is not thinking about raising capital immediately, but it wouldn’t be averse to those conversations.
Those interested in investing in the community round can use platforms like Wefunder and Crowdcube to participate.
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